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A Month of TV Commentary: A Meme in 30 Parts: Day 15

Day 15 – Favorite female character

Wow. This one is hard. (“That’s what SHE said…” “Shut up.”)

Even if I limit this to favourite female character in a show I’m currently watching, it’s a hard choice. Alyson Hannigan’s sweetly sexy Lily on How I Met Your Mother, Kaley Cuoco’s down-to-earth Penny on The Big Bang Theory. Jayma Mays’s neurotic Emma on Glee, Tiffani Thiessen’s sensible Elizabeth on White Collar…There’s a lot to choose from.

In the end, though, I’m going to pick Stana Katic’s Detective Kate Beckett on ABC’s Castle. Katic’s Beckett is smart, tough, and drop-dead gorgeous. The chemistry between her and Nathan Fillion’s Richard Castle is incredible, and she’s capable of saying more with a look than anyone on television. I’ve seen Beckett and Castle have entire conversations without speaking a word, which is really awesome.

I considered who I might pick if I opened this up to female characters from any show ever, but I don’t think I could begin to narrow it down to a top 10, let alone a single favourite. So I’ll stick with my self-imposed limitation of choosing from things I’m currently watching. Because it’s my journal, and I’m allowed to do that. 🙂

A Month of TV Commentary: A Meme in 30 Parts: Day 14

Day 14 – Favorite male character

If I’d been keeping up with this and written t his back when I first started this “one month” meme *mumble* months ago, I’d have had an entirely different answer to this question, but I’ve since acquired a new obsession favourite TV show, namely USA Network’s White Collar

Which brings me to Neal Caffrey.

The short premise of the show is “He’s a charming con-man with a heart of gold. He’s the FBI agent who put him in prison. They fight crime!” Specifically, they fight the kind of high-stakes, big money crimes that you’d expect the “white collar’ division of the FBI to tackle: art heists, stock swindles, counterfeiting, etc. The sorts of crimes that Neal specialised in, and quite often ends up going undercover to help solve, because he moves easily in that world.

I like Neal Caffrey because he has style. He dresses well, he’s charming, extremely intelligent and well-spoken, has a wicked sense of humour, a great sense of fun and adventure, and a taste for the finer things in life. I remarked recently to kitanzi that I often “aspired to a level of sophistication that I do not always possess.”, and this is a character that embodies all of those traits that I admire and covet. (Well, except for the “criminal” part of it. But, hey, nobody’s perfect.)

I will even admit that he directly inspired me to take a critical look at my own personal sartorial style and make some needed changes. So this show has done me a great deal of personal psychic good.

If you’re not watching White Collar, do give it a try. Many of the things I love about the show (particularly the relationship between Neal and FBI Agent Peter Burke, Burke’s relationship with his wife Elizabeth, the amazingly crisp dialogue, the fantastic undercover heist plots, and the narrative sub-plot that runs throughout the entire show) lie outside the scope of this entry. But it’s hands-down my favourite show on television, and USA just announced that it is being renewed for a 3rd season. I recommend it highly to anyone.

A Month of TV Commentary: A Meme in 30 Parts: Day 13

Day 13 – Favourite childhood show

It’s hard to pick just one show, as I was one of those kids in the TV age who grew up on the stuff. Also, where precisely would the dividing line be between childhood and not-childhood shows.

But thinking of it, there’s a show I remember quite fondly. It debuted when I was 10, and I watched it on and off for a number of years: PBS’s kid’s science programme 3-2-1 Contact

3-2-1 Contact was a magazine style program, with several (often related) segments dealing with science and nature. It also contained a running serial detective series with three kids, who would get caught up in various little mysteries, and solve them using some science trick or another:

Not sure how well they hold up after 30 years, though it was a bit of fun to rewatch these clips. Sadly, it doesn’t appear that this show has ever been released on DVD. C’mon, CTW, let’s see some love for the classics! 🙂

A Month of TV Commentary: A Meme in 30 Parts: Day 12

Day 12 – An episode you’ve watched more than 5 times

There’s a lot of episodes I’ve watched more than five times. I’ve always been one to revisit books, movies, and TV series that I really enjoy.

But the single episode of a TV series I’ve likely watched more times than any other, hands down, is the episode “Inferno’ from Coupling. This is largely because kitanzi and I tend to try and hook anyone who will sit still long enough on the show, and partly because it contains one of the greatest comedy rants of all time:

In all seriousness, if you’ve never seen Coupling, you should give it a try. Smart, snappy, and funny: everything you could ever ask from a situation comedy.

A Month of TV Commentary: A Meme in 30 Parts: Day 11

Day 11 – A show that disappointed you

I hadn’t forgotten this, but this question had me stumped. The truth is that I couldn’t think of a single show that I’d call disappointing, at least in the sense of “I was really looking forward to this and it turned out to be meh.” Certainly there are shows that went in directions that disappointed me: House leaps to mind as a show that I loved, and which eventually chased me away with the direction it was going. (I’ve been told it got better, but I’ve not bothered trying to find out.)

I think the closest I can come up with for a show that disappointed me on the offset was Ricky Gervais’s The Office. When it first started airing over here, it was being lauded in commercials as the best new comedy in ages and a brilliant satire. So I decided to check it out, and found it dreadfully, sometimes painfully, unfunny. I’ve liked Gervais in other things, so it’s not just his sense of humour not connecting with me, but I really couldn’t get into it. After three different episodes completely failing to amuse me, I gave it up. (I have no opinion on the US version with Steve Carrell, etc, as I’ve never watched it either.)

I promise more regular updates as we delve into somewhat easier questions. 🙂

A Month of TV Commentary: A Meme in 30 Parts: Day 10

Day 10 – A show you thought you wouldn’t like but ended up loving

It was at the Dead Dog dinner at OVFF that we found ourselves sharing a table with our good friend markbernstein, and the animated conversion turned its way to television, as it does. We listed the various things we were watching, and Mark began to enthusiastically tell us about his favourite show, So You Think You Can Dance

I have to admit, I was sceptical. I’m not a big fan of “reality Tv’ as a genre; while I admit some are less tawdry than others, they all seem to have the same sort of backbiting commentary and bitter factionalism, which honestly I tend not to find entertaining over long stretches of time. But Mark insisted that SYTYCD had a different tone and that we should give it a try. That week was going to be the first episode with the Top 20 from that season (season 6), and thus would be a good point to jump on. So when we got home, we thought “well, why not” and punched it up on the Tivo, determined to at least give it a fair viewing before writing it off.

I wasn’t surprised to find it mildly entertaining. Good dance is always fun to watch, and the mix of styles (both in the variety of performers and the variety of choreography) kept it from developing any sense of sameness, and if nothing else, it was (to steal kitanzi‘s phrase) “pretty people doing pretty things’, which isn’t a bad way to spend a couple of hours when nothing else is on.

I was surprised to see how quickly we both got invested in the show and the contestants. From the first episode, we were already noting our favourites, and as the weeks passed, we got more and more connected to these people. We were actually disappointed when one of “our” dancers went home, and before we knew it, it went from “something to fill the slow season” to “must-see TV”. I even ditched a standing engagement so we could watch the season finale live and actually vote, something we didn’t do up to that point (usually we were watching the episodes 24 hours after they aired.) The first week after the finale, we had pangs of withdrawal, because our new favourite show wasn’t on, and we eagerly looked forward to the start of Season 7 (just recently completed).

I’ve given a lot of thought to why this show has managed to capture my heart, when no other show like it has been able. I’m not that big a dance fan1; if it were merely the form of art, I’d expect myself to like American Idol, and I don’t. There’s nothing particularly novel about the format, which has been used on everything from Vatican City Idol to The Belgian Congo’s Got Talent, none of which lured me in.

I think the big difference for me is how overwhelmingly positive the whole show is. None of the judges are snarky for the sake of being snarky; they genuinely critique the performances2, giving praise when its merited and criticism when it’s needed, but there’s no viciousness in their remarks. More to the point, the competitors seem to genuinely like each other. You can see them turning into a company by the middle of the season. They support each other, cheer each other on, and get emotional when one of them has to go. The whole thing is just uplifting in tone, and the world needs more of that.

I owe a tremendous debt of gratitude to Mark, without whom I would likely never have taken a moment to consider watching this show. I’m already looking forward to Season 8!

1Well, I wasn’t then, at least. It’s grown rather a bit on me.
2I’ve done competition theatre. I know the difference.

A Month of TV Commentary: A Meme in 30 Parts: Day 9

A while back, I started on an ambitious thirty-day meme about television. I had every intention to follow it through to the bitter end, but then Jenna got sick, and I got distracted, and never got myself tracted again. But I didn’t forget about it, and I figure I’ll pick it up where I left off. If you missed the beginning of this, there’s links to the previous entries behind the cut-tag at the end of the post.

Day 09 – Best scene ever

This is insanely difficult to pin down. There are scenes that are great because they’re funny, and scenes that are great because they’re poignant or profound.

But I if I have to pick just one, I’m going to go with the scene between Mal and Simon at the end of the Firefly pilot, “Serenity” (not to be confused with the Fireflymovie of the same title):

SIMON You need me to look at that?
MAL Just a graze.
SIMON (a beat, then) So where do you plan on dumping us?
MAL There’s places you might be safe. You want the truth, though, you’re probably safer on the move. (turns to him) And we never stop moving.
SIMON I’m confused. No wait — I think maybe you’re confused.
MAL It may have become apparent to you, the ship could use a medic. You ain’t weak. I don’t know how bright you are, top three percent, but you ain’t weak and that’s not nothing. You live by my rule, keep your sister from doing anything crazy, you could maybe find a place here. ‘Til you find a better.
SIMON I’m trying to put this as delicately as I can… How do I know you won’t kill me in my sleep?
MAL You don’t know me, son. So let me explain this to you once: If I ever kill you, you’ll be awake, you’ll be facing me, and you’ll be armed.
SIMON (smiles) Are you always this sentimental?
MAL I had a good day.
SIMON You had the law on you, criminals and savages… half the people on the ship have been shot or wounded including yourself, and you’re harbouring known fugitives.
MAL (looks out at the black sky) We’re still flying.
SIMON That’s not much.
MAL (almost to himself) It’s enough.

A Month of TV Commentary: A Meme in 30 Parts: Day 8

From , via , the 30-Day TV Meme.

Day 08 – A show everyone should watch

Well, obviously, any of the shows I watch i think others should, because I think they’re awesome. But to pick one is hard.

I’m going to go with Mythbusters, which is hardly in dire need of a ratings boost, but has many qualities that I really like. It’s a lot of fun, and it shows practical science (and the scientific method) as something that’s enormously cool. Even when they go in with expectations of results, they let the data speak for itself. And when their methods are flawed and the fans call them on it, they revisit their work in many cases.

Most science documentaries operate under the assumption that if you’re watching it, you already think science is cool. Mythbusters is populist science taken the extreme, and it’s something I think everyone can get something out of,

A Month of TV Commentary: A Meme in 30 Parts: Day 7

From , via , the 30-Day TV Meme.

Day 07 – Least favorite episode of your favorite t.v show

While coming up with a favourite Doctor Who, episode was hard, this one is easy. Don’t get me wrong, there’s a lot of bad Doctor Who episodes. Even forgiving the budgetary restraints that they had to work with, and being as kind and generous as possible, there’s still a lot of stories that weren’t very good, went on too long, contained glaring continuity holes, and all the other nonsense that separates the good from the poor. (While watching the DW: Confidential for a recent episode, kitanzi saw a clip from 1970’s “The Silurians”, laughed out loud at the rubber-suit alien and said “C’mon, they weren’t even trying!”)

For all that, however, in this particular case, one episode does stand out to me as the nadir that Doctor Who was capable of on a given day. An episode so notable for its awfulness that even to this day, thirty years after it first aired, hejira2006 and I will say “Well, that was bad. But it wasn’t nearly as bad as ‘The Horns of Nimon’.

I wish I could find a clip of Graham Crowden mincing through the halls of the spaceship, calling out “Lord Nimon! Lord Niiiiiiimon!” to give you an illustration of just how absurd this one was. (No offense to Crowden, who has done good work elsewhere, most notably in Waiting for God, which I rather enjoyed.) It may not be the very worst of Doctor Who, but it’s an exemplar to stand in for the worst the show has to offer.

(I did find this one clip, from a fellow who seems to be arguing tongue-in-cheek for the opposite viewpoint. I Include it here in the interest of fairness, and to let you see both the Crowden scene mentioned above, and just how awful the minotaur costume was, even by the standards of 1979 BBC production budgets.)

A Month of TV Commentary: A meme in 30 parts, Day 6

From , via , the 30-Day TV Meme.

Day 06 – Favourite episode of your favourite t.v show

I’m really struggling with this one. As noted, if a show is your favourite, there’s not likely to be one single episode that stands head and shoulders above the rest. In my case, having declared my favourite show to be Doctor Who, I have over 30 years worth of episodes to choose from. I think it would be hard to nail down my favourite episode from each Doctor, but I’ll try…

(Yes, I’m cheating. It’s my journal. I get to make the rules.)

William Hartnell (1963-1966): An Unearthly Child
The episode that set the whole thing in motion, introducing us to the mysterious Doctor, his granddaughter Susan, and the TARDIS. The show would later develop a huge and cumbersome mythology, but what this episode gave us was character and mystery. (Technically, this is part one of the first 4 part serial, which includes a trip back in time to visit cavemen, but let’s just pretend it isn’t. It holds up better that way.

Patrick Troughton (1966-1969): The Web of Fear
I’ve actually only seen the one episode of this, as the remainder are lost (along with the great majority of Troughton’s run, alas), but it was my favourite story from my favourite Doctor. I don’t recall now if the Yeti are the only recurring monster to only be encountered by a single Doctor, but something about them captured my imagination. This story also introduced UNIT, which was to play a major role in the adventures of the third and fourth Doctors.

Jon Pertwee (1970-1974): The Daemons
This one had everything. The Master in top form, played by the incomparable Roger Delgado. A quiet English village where a mysterious cult is meddling in dark occult forces, which ultimately (of course) turn out to be alien in nature. The unflappable Brigadier Lethbridge-Stewart, who confronted with a living gargoyle, calmly orders, “Sergeant. Chap with wings. Five rounds rapid.” This serial had everything I loved about the Pertwee era of the programme.

Tom Baker (1975-1981): The Pyramids of Mars
Every time I think I’ve picked a favourite episode from this series, I change my mind. While, unlike most American viewers, Tom Baker isn’t my personal favourite, he’s the image most over here are familiar with if they know the series at all, and over seven years he did a lot of great stories. I’m going to finally settle on this one, which has a lot of fun with trippy Egyptian mythology motifs, and features some of the best Sarah Jane Smith moments the series had to offer.

Peter Davison (1982-1984): The Caves of Androzani
Sadly, Davison’s best turn in the role was his last, in a stellar script by Robert Holmes that played to all his strengths in the role. (Davison said, in fact, that if he’d gotten more scripts of this quality, he might have stayed for a fourth season.)

Colin Baker (1984-1986): The Two Doctors
Honestly, there’s not a lot of great Colin Baker stories to choose from. This wasn’t really a high point in the series, as it was constantly on the verge of cancellation, and Baker’s Doctor never really seemed to gel for me. (It’s a pity. I’ve met Colin Baker and he’s a lovely man.) I picked this one not because it’s a superior story, because it’s a relatively pedestrian effort for a writer as good as Robert Holmes, but it does feature Patrick Troughton reprising his role as the second Doctor, and so I’m choosing it for sentimental reasons. (I note with amusement that this is the third consecutive Robert Holmes story I’ve chosen…)

Sylvester McCoy (1987-1989): Ghost Light
As with Baker, McCoy never got a lot of good scripts to work with, but story editor Andrew Cartmel had ambitions that were never realized (for good or ill, its hard to say). Ghost Light is a trippy episode featuring one of McCoy’s best performances. This story was the penultimate episode broadcast in the original series run.

Paul McGann (1997): The TV Movie
There are problems with the movie. It has some questionable continuity assertions, most of which fandom has decided to collectively ignore, and the actual plot (involving an unlikely Eric Roberts as the Master) is regrettable. But none of that should take away from Paul McGann, whose sole foray as the Doctor on the screen hinted at what might have been. This was a pilot project to relaunch the series in collaboration with FoX-TV, but it never went anywhere. (After seeing how they handled Firefly, I can’t say I’m terribly unhappy.)

(Since this is an essay on TV, I’m not considering McGann’s extensive “radio” work, but he recorded several seasons worth of audio adventures for Big Finish, and that canon contains many stories superior to this one.)

Christopher Eccleston (2005): The Empty Child
The highest point in the first season of the relaunch, Stephan Moffatt contributes the first in a series of brilliant stories that would ultimately win him the head writer position when Russell T. Davies departed. No obvious alien menace here, just creepy zombie children in gas masks, the ongoing London Blitz, and introducing the roguish Captain Jack Harkness, a character so popular he’d not only recur, but get spun off into his own series, Torchwood. At the time of its airing, this was only the third Doctor Who story in twenty-seven seasons which did not feature a single death of a character. ‘Just this once,’ the Doctor cries exuberantly, ‘Everybody lives!’

David Tennant (2006-2009): Blink
Another Moffatt script, easily the best single episode of the new series and arguably the best Doctor Who story ever, Blink was a triumph of taut, scary storytelling using the time honoured DW motif of ‘innocuous everyday thing becomes an object of fear’. The Doctor himself is notably absent from much of the story, which revolves around the delightful character of Sally Sparrow, who I for one would just as happily traded for any of Tennant’s three regular companions. The Weeping Angels are wickedly effective as the monsters, and the resolution is wonderful. Tight writing and great acting make this a must-see episode.

Matt Smith (2010- ):  (no entry)
It’s too early to pick a favourite eleventh Doctor story. Of the first half-dozen I’ve seen, I’ve liked some more than others, and some less than others, and there were none I’d find no fault in. What I can say without reservation is, despite my scepticism, Matt Smith’s take on the character of the Doctor is brilliant, and he can just play the part for several years as far as I’m concerned. I’m utterly in love with Karen Gillan (settle down, kid) as Amy, and I fear from the hints being dropped about her as the season-arc progresses that she may be yet another one-season companion, but I’m hoping not. Regardless, the part is in good hands, and I couldn’t be more pleased with the latest incarnation of our hero.

So there you have it, then. Ten actors playing one part, and ten episodes of one of the greatest and longest-running science fiction epics in television history. If you’re not familiar with the history of the series and wanted an overview, you could do worse than the episodes I’ve chosen, I think.

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